Here's a number for you: on a forty-dollar vinyl record, the artist takes home roughly a dollar fifty in mechanical royalties. Under four percent. So when you say supporting artists keeps them making music you like, I have to ask—which artist are you actually supporting? The one holding the pressing contract, or the one eating ramen on tour? You called it a personal matter, but this isn't about feelings. It's about where the cash lands. My question from round one still stands: if the last fifteen-dollar price hike went nowhere near the musician, why would five more fix that? Yes or no—can you name one artist whose rent gets paid by a vinyl price increase?